In addition to the raw and direct message that Kassovitz launched with the film, Hatred was also an incredible example of the streetwerar aesthetics of the 1990s immortalizing its patterns. ![]() All born in France to immigrant parents, they live in the Parisian banlieue, constantly angry and at odds with society for the way society itself has always treated them.ĭespite the time that has passed since the film’s release, La Haine seems to be more current than ever, racial and class struggles, abuse of power by the police and the contrast with the established authority with which the film is imbued, are still issues at the center of political and social debate at all latitudes and remind us how far we still have to go to change course. The three protagonists are Hubert, a black boxer with a strong moral code, Saïd, a naive man of Algerian origin, and Vinz, a working class Jew with a very difficult character. ![]() Filmed in black and white, it tells the listless routine of three friends along the 19 hours during which the story develops. Released 25 years ago, Mathieu Kassovitz‘s La Haine is one of those movies that can’t get old.
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